A Distant Echo, 24 April 2014

If, a thousand years from now, archaeologists happen to dig beneath the sands of Guadalupe, I hope that they will not rush into print with the amazing news that Egyptian civilization, far from being confined to the valley of the Nile, extended all the way to the Pacific Coast of North America.
-Cecil B. DeMille*

A Distant Echo was a screening of a new work-in-progress film by George Clark that explores themes of identity, culture and the construction of history. Shot on 35mm film in Californian deserts used for Hollywood biblical epics, the project draws together film history, Egyptian culture and the tradition of Yorkshire male voice choirs.

In the resonant surroundings of the Leeds Library (est. 1768), this screening featured a new score composed by Tom Challenger for the Colne Valley Male Voice Choir (est. 1922) and a reading of a script drawn from the Egyptian film The Night of Counting the Years/Al-Momiaa (directed by Shadi Abdel Salam, 1969). The original film, set prior to the British occupation of Egypt in 1881, follows the negotiations between archaeologists from Cairo and ancient tribesmen, dramatisng the struggle between ancient and modern values and the morality of recovering lost artefacts.

A Distant Echo was developed as part of an ongoing project To the Distant Observer that includes the production of two films and various parallel events supported by the Arts Council of England and PRS for Music Foundation. The event in Leeds was funded by Leeds Inspired.

  • A Distant Echo, 24 April 2014
  • A Distant Echo, 24 April 2014
  • A Distant Echo, 24 April 2014
  • A Distant Echo, 24 April 2014
  • A Distant Echo, 24 April 2014
  • A Distant Echo, 24 April 2014