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Films
Fragments de mémoires,  Touda Bouanani →
Script for a Wayward Narrator, Samra Mayanja →

Re-shift, Re-calibrate
Part 1: Touda Bouanani & Samra Mayanja

Fragments de mémoires [Fragments of Memory]
Touda Bouanani, 2014, France/Morocco, 19 min, digital
The world is full of stuffed bears, plastic tubs and princess dresses all in rainbow colors. Images whizz past, animals make the wrong sounds and a man drives a pick-up truck straight into a metal compactor. The first half of this program was put together based on rhythm (((WHOOSH!, whirllllllll, thud, smaACK!))) while the second follows on from ideas arising in Azevedo, Charnley & Clout’s Value.
What is the value, or worth, or utility of any thing, any specific object? _GALORE takes us into an Indian market, Fresh Kill charts the dying moments of Gordon Matta-Clark’s vehicle, while Monika Uchiyama’s video takes a sustained look at the creation of a mysterious object. The first half of this program was put together based on rhythm (((WHOOSH!, whirllllllll, thud, smaACK!))) while the second follows on from ideas arising in Azevedo, Charnley & Clout’s Value.

Artist Touda Bouanani (1966, Morocco) lives and works in Rabat. Her work, mainly in video but also photography, installation, and works on paper, is characterized by the constant search for dialogue between the poetic text and image. Her practice feeds on intimate and familial references, everyday objects, and children, referring to universal themes such as beauty, solitude, and love.
     Alongside international exhibitions of her own work, she has participated in numerous publications and presentations about the work of her father, filmmaker, illustrator, novelist and poet Ahmed Bouanani (1938-2011).

Script for a Wayward Narrator
Samra Mayanja, 2019, UK, 19 min, digital

The world is full of stuffed bears, plastic tubs and princess dresses all in rainbow colors. Images whizz past, animals make the wrong sounds and a man drives a pick-up truck straight into a metal compactor. The first half of this program was put together based on rhythm (((WHOOSH!, whirllllllll, thud, smaACK!))) while the second follows on from ideas arising in Azevedo, Charnley & Clout’s Value.
What is the value, or worth, or utility of any thing, any specific object? _GALORE takes us into an Indian market, Fresh Kill charts the dying moments of Gordon Matta-Clark’s vehicle, while Monika Uchiyama’s video takes a sustained look at the creation of a mysterious object.

Interview: Artist Name and Interviewer Name →
Another link →

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